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A beloved New York holiday tradition, Mozart’s enchanting fable takes the stage in the Met’s abridged, English-language production by Julie Taymor—the Tony Award–winning director of Broadway’s The Lion King. Running under 90 minutes and dazzling audiences with vibrant sets, colorful costumes, and eye-popping puppetry, it’s the perfect show for the holidays and a delightful introduction to opera for audiences of all ages.

SPECIAL ACTIVITIES
At every performance of The Magic Flute, audiences can enjoy free activity books and themed photo opportunities throughout the lobby. Special downloadable activities are also available online to explore before or after your visit. Complimentary face painting will be available before all matinee performances. Holiday Open Houses will take place prior to the performances on December 13 and 19.

Please note: The December 26 matinee is a relaxed performance. Learn more about what to expect in the Met’s relaxed performances.

Abridged production of The Magic Flute a gift of The Andrew W. Mellon Foundation and Bill Rollnick and Nancy Ellison Rollnick

Original production of Die Zauberflöte a gift of Mr. and Mrs. Henry R. Kravis

Additional support from John Van Meter, the Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and Nancy Ellison Rollnick, Mr. and Mrs. William R. Miller, Agnes Varis and Karl Leichtman, and Mr. and Mrs. Ezra K. Zilkha

Revival supported by Rolex

Sung In

English

Met Titles In

  • English
  • German
  • Spanish

Estimated Run Time

1 hrs 30 mins

House Opens

Opera

90 mins

Opera Ends

Cast

World premiere: Freihaus-Theater auf der Wieden, Vienna, 1791. A sublime fairy tale that moves freely between earthy comedy and noble mysticism, The Magic Flute (Die Zauberflöte in the original German) was written for a theater located just outside Vienna with the clear intention of appealing to audiences from all walks of life. The story is told in a singspiel (“song-play”) format characterized by separate musical numbers connected by dialogue and stage activity, an excellent structure for navigating the diverse moods, ranging from solemn to lighthearted, of the story and score.

Creators

Wolfgang Amadeus Mozart (1756–91) was the son of a Salzburg court musician who exhibited him as a musical prodigy throughout Europe. His achievements in opera, in terms of beauty, vocal challenge, and dramatic insight, remain unsurpassed. He died three months after the premiere of Die Zauberflöte, his last produced work for the stage. The remarkable Emanuel Schikaneder (1751–1812) was an actor, singer, theater manager, and friend of Mozart who wrote the opera’s libretto, staged the work, and sang the role of Papageno in the initial run.

  • composer

    Wolfgang Amadeus Mozart

Production

Julie Taymor

SET DESIGNER

George Tsypin

COSTUME DESIGNER

Julie Taymor

LIGHTING DESIGNER

Donald Holder

Puppet Designers

Julie Taymor and Michael Curry

CHOREOGRAPHER

Mark Dendy

English Adaptation

J. D. McClatchy

C. Graham Berwind, III Chorus Director

Tilman Michael

Setting

The libretto specifies Egypt as the location of the action. That country was traditionally regarded as the legendary birthplace of the Masonic fraternity, whose symbols and rituals populate this opera. Some productions include Egyptian motifs as an exotic nod to this idea, but most opt for a more generalized mythic ambience to convey the otherworldliness that the score and overall tone of the work call for.

Music

Mozart and his librettist, Emanuel Schikaneder, created The Magic Flute with an eye toward a popular audience, but the varied tone of the work requires singers who can specialize in several different musical genres. The baritone Papageno represents the comic and earthy, the tenor Tamino and the soprano Pamina display true love in its noblest forms, the bass Sarastro expresses the solemn and the transcendental, and the Queen of the Night provides explosive vocal fireworks.