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The world’s most popular opera, Puccini’s heartbreaking tragedy never fails to enrapture audiences with its poignant depiction of love and loss in bohemian Paris, all set to one of opera’s most romantic scores. Some of today’s most extraordinary talents inhabit the touchstone principal roles in Franco Zeffirelli’s classic staging, a perennial Met favorite for the past 45 years.

Production a gift of Mrs. Donald D. Harrington

Revival a gift of the Metropolitan Opera Club and Diane Pachetti

The Met gratefully acknowledges the support of Mastercard, the official payment partner of the Metropolitan Opera

The Met is grateful to C. Graham Berwind, III for sponsoring the refurbishment of the La Bohème sets

Sung In

Italian

Met Titles In

  • English
  • German
  • Spanish
  • Italian

Estimated Run Time

3 hrs 5 mins

House Opens

Acts I and II

60 mins

Intermission

35 mins

Act III

25 mins

Intermission

35 mins

Act IV

30 mins

Opera Ends

Cast

Ramón Tebar

Conductor

Ramón Tebar

Performing

Sep 25, 27

Oct 1, 3, 7, 9, 10, 15, 16, 22, 24, 28, 31

Marco Armiliato

Conductor

Marco Armiliato

Performing

Nov 24, 28

Dec 3, 5, 10

Daniele Rustioni

Conductor

Daniele Rustioni

Performing

Apr 16, 17, 22, 24, 25, 29

Juliana Grigoryan

Mimì

Juliana Grigoryan

Performing

Sep 25, 27

Oct 1, 3, 7, 10, 16

Kristina Mkhitaryan

Mimì

Kristina Mkhitaryan

Performing

Oct 9, 15, 22, 24, 28, 31

Federica Lombardi

Mimì

Federica Lombardi

Performing

Nov 24, 28

Dec 3, 5, 10

Erika Grimaldi

Mimì

Erika Grimaldi

Performing

Apr 16, 24

Ermonela Jaho

Mimì

Ermonela Jaho

Performing

Apr 17, 22, 25, 29

Rosa Feola

Musetta

Rosa Feola

Performing

Sep 25, 27

Oct 1, 3, 7, 10, 16

Inna Demenkova

Musetta

Inna Demenkova

Performing

Oct 9, 15, 22, 24, 28, 31

Heidi Stober

Musetta

Heidi Stober

Performing

Nov 24, 28

Dec 3, 5, 10

Anya Matanovic

Musetta

Anya Matanovic

Performing

Apr 16, 24

Kathryn Lewek

Musetta

Kathryn Lewek

Performing

Apr 17, 22, 25, 29

Stephen Costello

Rodolfo

Stephen Costello

Performing

Sep 25, 27

Oct 1, 3, 7, 10, 16

Adam Smith

Rodolfo

Adam Smith

Performing

Oct 9, 15, 22, 24, 28, 31

Atalla Ayan

Rodolfo

Atalla Ayan

Performing

Nov 24, 28

Dec 3, 5, 10

Arturo Chacón-Cruz

Rodolfo

Arturo Chacón-Cruz

Performing

Apr 16, 24

Pene Pati

Rodolfo

Pene Pati

Performing

Apr 17, 22, 25, 29

Hansung Yoo

Marcello

Hansung Yoo

Performing

Sep 25, 27

Oct 1, 3, 7, 10, 16

Anthony Clark Evans

Marcello

Anthony Clark Evans

Performing

Oct 9, 15, 22, 24, 28, 31

Lucas Meachem

Marcello

Lucas Meachem

Performing

Nov 24, 28

Dec 3, 5, 10

Guriy Gurev

Marcello

Guriy Gurev

Performing

Apr 16, 24

Adam Plachetka

Marcello

Adam Plachetka

Performing

Apr 17, 22, 25, 29

Gihoon	Kim

Schaunard

Gihoon Kim

Performing

Sep 25, 27

Oct 1, 3, 7, 10, 16

Ricardo José Rivera

Schaunard

Ricardo José Rivera

Performing

Oct 9, 15, 22, 24, 28, 31

Nicola Alaimo

Schaunard

Nicola Alaimo

Performing

Nov 24, 28

Dec 3, 5, 10

Alexander Birch Elliott

Schaunard

Alexander Birch Elliott

Performing

Apr 16, 24

Germán Olvera

Schaunard

Germán Olvera

Performing

Apr 17, 22, 25, 29

Le Bu

Colline

Le Bu

Performing

Sep 25, 27

Oct 1, 3, 7, 10, 16

William Guanbo Su

Colline

William Guanbo Su

Performing

Oct 9, 15, 22, 24, 28, 31

Alexandros Stavrakakis

Colline

Alexandros Stavrakakis

Performing

Nov 24, 28

Dec 3, 5, 10

Scott Conner

Colline

Scott Conner

Performing

Apr 16, 24

Adolfo Corrado

Colline

Adolfo Corrado

Performing

Apr 17, 22, 25, 29

Donald Maxwell

Benoit/Alcindoro

Donald Maxwell

Performing

Sep 25, 27

Oct 1, 3, 7, 10, 16, 22, 24, 28, 31

Nov 24, 28

Dec 3, 5, 10

Apr 17, 22, 25, 29

Richard Bernstein

Benoit/Alcindoro

Richard Bernstein

Performing

Oct 9, 15

Malcolm MacKenzie

Benoit/Alcindoro

Malcolm MacKenzie

Performing

Apr 16, 24

test

rocafilm ,

Performed

Oct 9

Kazem Abdullah

test

Kazem Abdullah

Performed

Oct 10

World premiere: Teatro Regio, Turin, 1896. La Bohème, the passionate, timeless, and indelible story of love among young artists in Paris, can stake its claim as the world’s most popular opera. It has a marvelous ability to make a powerful first impression and to reveal unsuspected treasures after dozens of hearings. At first glance, La Bohème is the definitive depiction of the joys and sorrows of love and loss; on closer inspection, it reveals the deep emotional significance hidden in the trivial things—a bonnet, an old overcoat, a chance meeting with a neighbor—that make up our everyday lives.

Creators

Giacomo Puccini (1858–1924) was immensely popular in his own lifetime, and his mature works remain staples in the repertory of most of the world’s opera companies. His librettists for La Bohème, Giuseppe Giacosa (1847–1906) and Luigi Illica (1857–1919), also collaborated with him on his next two operas, Tosca and Madama Butterfly. Giacosa, a dramatist, was responsible for the stories and Illica, a poet, worked primarily on the words themselves.

  • composer

    Giacomo Puccini

Production

Franco Zeffirelli

SET DESIGNER

Franco Zeffirelli

COSTUME DESIGNER

Peter J. Hall

LIGHTING DESIGNER

Gil Wechsler

C. Graham Berwind, III Chorus Director

Tilman Michael

Setting

The libretto sets the action in Paris, circa 1830. This is not a random setting, but rather reflects the issues and concerns of a particular time when, following the upheavals of revolution and war, French artists had lost their traditional support base of aristocracy and Church. The story centers on self-conscious youth at odds with mainstream society—a bohemian ambience that is clearly recognizable in any modern urban center. La Bohème captures this ethos in its earliest days.

Videos

Video

Music

Lyrical and touchingly beautiful, the score of La Bohème exerts an immediate emotional pull. Many of its most memorable melodies are built incrementally, with small intervals between the notes that carry the listener with them on their lyrical path. This is a distinct contrast to the grand leaps and dives that earlier operas often depended on for emotional effect. La Bohème’s melodic structure perfectly captures the “small people” (as Puccini called them) of the drama and the details of everyday life.